AMT 1:1000 Star Trek U.S.S. Excelsior, Multicolor
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AMT 1:1000 Star Trek U.S.S. Excelsior, Multicolor
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Christopher Plummer had worked with Shatner in radio plays and requested a more human look for his character, involving wearing "less severe" Klingon make-up. [15]
Let There Be Lights: "Of Gods and Men" Shoots". startrek.com. July 12, 2006. Archived from the original on February 2, 2009 . Retrieved June 29, 2007. In this 1988 film, the "Ferrari" have stolen all of the Pepsi from Starbase Seven-Up, and it is up to the crew of the Enterprise to rescue it. Captain Picard, along with Doodah the android, Ya Har, Jordashe, Rigor Mortis, Sexx Toii (the Betamax counselor), Ensign Expendable, and Weasley Crushme all leap into action. Along the way, viewers meet the harried Star Trek writing crew and the Ferrari's fearsome leader. [84]
10. エクセルシオール
Kraemer, Ross Shepard; William Cassiday; Susan Schwartz (2003). Religions of Star Trek. Basic Books. p.164. ISBN 0-8133-4115-9. On behalf of myself and Ryan Webber, my co-writer and co-producer on Federation Rising, we appreciate your initial support and are saddened that we cannot bring you what we believe was a fantastic feature film. However, rest assured that Ryan and I are committed to continuing our storytelling partnership with an original project. We also welcome other fan productions and fan film lovers to join us on this new venture. Farhi, Paul; Kim Masters (December 25, 1991). "Will Santa Claus Come to Hollywood?; After a Year of Ho-Ho-Hum Box Office, the Movies Hope for a Happy Ending". The Washington Post. p.E1. The USS Excelsior was first mentioned in the script of Star Trek II: The Wrath of Khan, in which Kirk stated that Sulu was going to have command of the Excelsior by the end of the month. [2] Apparently, Sulu's presence aboard the Enterprise at that time was solely as a courtesy to Kirk. Shatner, William; Kreski, Chris (1994). Star Trek Movie Memories: The Inside Story of the Classic Movies. New York: HarperTorch. p.179. ISBN 0-00-638416-1.
Gilchrist, Jim (July 4, 2006). "Beam Me Up". The Scotsman. Archived from the original on October 27, 2007 . Retrieved July 2, 2007.Blood of Tiberius is a fan series set 50 years after the events of Star Trek: The Original Series and is derived from the episode " Bread and Circuses". The 3-D animated series takes place in the year 2319 and follows Livia Avitus, the granddaughter of the Captain James Kirk, as a Special Agent for the Federation of Planets. [65] The Federation Files (2016-present) [ edit ] CBS & Paramount release official Star Trek fan films guideline". Film Industry Network. June 23, 2016.
Savage, Mark (September 6, 2006). "Where no fan film has gone before". BBC . Retrieved June 29, 2007. a b c d e f g h i j k l Magid, Ron (January 1992). "Narita Leads Enterprise Camera Crew; Director Meyer Explores Familiar Country; ILM Gets 'A Piece of the Action'; Specialized Departments Add Artistic Touches". American Cinematographer. 73 (1): 42–75. a b c d Kreitzer, Larry (1996). "The Cultural Veneer of 'Star Trek' ". Journal of Popular Culture. 30 (2): 1–28. doi: 10.1111/j.0022-3840.1996.165468.x.This independent production is the story of the USS Montana, a ship from the end of the era of " cowboy diplomacy" that travels seventy years into the future—into the new world of careful steps and slow deliberation. Flung to a new time and into a new culture, the crew of the Montana is forced to adapt—but this hardly stops them from facing new adventures in the 24th century. The pilot episode, "Ghost Ship," was released in December 2007, [67] and since then seven more episodes have been released, that last was "Cathedral in the Void" on May 10, 2014. A comedic YouTube series about the "worst crew in the galaxy" made by Squishy Studios. A labour of love production that was inspired by classic Star Trek crossed with Galaxy Quest. Season 1 Season 2 Full Length episode Machinima [ edit ] Borg War Hansen, John W (Summer–Fall 2000). "Lessons From Star Trek: Examining the Social Values Embedded in Technological Programs" (PDF). The Journal of Technology Studies. 26 (2): 2–8. doi: 10.21061/jots.v26i2.a.1. Archived from the original (PDF) on July 21, 2011 . Retrieved December 13, 2009.
DeCandido, Keith (February 24, 2015). "Star Trek: Deep Space Nine Rewatch: "What You Leave Behind" ". Tor.com . Retrieved November 5, 2016. McGowan, Chris (May 23, 1992). "Paramount Makes Space In July Lineup For 'Star Trek VI' ". Billboard. p.53. FanFilmFactor.com: STARSHIP FARRAGUT, Part 2 (2008 to 2010)". February 8, 2016 . Retrieved March 25, 2017. Earlier today, executives from CBS reached out to me and advised me that their legal team strongly suggested that we do not move forward with plans to create a sequel to Horizon. While this is a sign of the current climate that we find ourselves in with Star Trek fan films, I want to personally thank CBS for reaching out to me, rather than including us in their ongoing lawsuit against Axanar.The Excelsior's bridge, manned by the ship's commanding officer, Captain Styles, and other officers Pleban, Dafna; Young, John (October 17, 2008). "To Boldly Go Where So Many Have Gone". Entertainment Weekly. Archived from the original on May 4, 2009 . Retrieved December 17, 2009. The last scene in the film was arranged for the last day of filming. Initially, the language was supposed to be more somber and classical, but Meyer made some last minute changes. Flinn said that Meyer "was in an optimistic mood", and the director suggested that Kirk quote Peter Pan for the last lines: [7] :52 "Second star to the right, and straight on till morning." Emotions ran high as the last shots of the cast were captured; [8] Shatner said, "By the time we finished the last scene, which extended longer than we expected, there was a sense of irritation. We raised a glass of champagne, but everybody was actually a little antsy." [20] Effects [ edit ] a b c d e f g h i j k l m n o p q r s t Okuda, Michael (January 27, 2004). Star Trek VI: The Undiscovered Country, Special Collectors Edition: Text Commentary (DVD; Disc 1/2). Paramount Pictures. In conversations with Eidelman, Meyer mentioned that since the marches that accompanied the main titles for the previous Star Trek films were so good, he had no desire to compete with them by composing a bombastic opening. He felt that since the film was darker than its predecessors, it demanded something different musically as a result. He mentioned the opening to Igor Stravinsky's The Firebird as similar to the foreboding sound he wanted. Two days later Eidelman produced a tape of his idea for the main theme, played on a synthesizer. Meyer was impressed by the speed of the work and the close fit to his vision. [33] Meyer approached producer Steven Charles-Jaffe with Eidelman's CD, which reminded Jaffe of Bernard Herrmann; Eidelman was subsequently given the task of composing the score. [8]
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