It’s worth mentioning just how dark this book is. For the first part of the story, it appears to be very much a book for children. Moreover, it’s marketed and published as one too, which I find a little odd considering just how disturbing some of the sections are. There are often creepy undertones to fairy tales, but here it is much more blatant. There are brutal death scenes and there are graphic descriptions of surgery and creating human-animal hybrids by sowing corpses together. It’s dark and creepy. This isn’t by any means a criticism of mine, but just a warning for those who think this is a children’s book: it’s not one. The ending of this book tore me to pieces, it's the most perfectly written ending that i have ever encountered in a book. i cried so much. it is the kind of book that stays in your head even after you finish it.

Don't get me wrong, this book was perfectly alright; it is very readable and well-plotted. The characters and their relationships make sense, the world created is interesting, and the fairy tales are well integrated. I am still dissappointed because it could have been SO much better. Recently I've taken quite a fancy to fairy tale re-tellings. You can go right ahead and blame Gail Carson Levine for that. The Book of Lost things belongs to that genre, albeit a bit LOT more darker. There are many fairytales out there and many of them include lovely princesses with fancy dresses and beautiful hair. If you are ready to find out what Snow White is really like, or what unspeakable truth lead Red Riding Hood off the path and into the woods, you should make sure to read this book.

He would talk to them of stories and books, and explain to them how stories wanted to be told and books wanted to be read, and how everything that they ever needed to know about life and the land of which he wrote, or about any land or realm that they could imagine, was contained in books. And some of the children understood, and some did not.” the use of revisionism is, sadly, not always successful. a comic interlude with the socialist Seven Dwarves and an obese, monstrous Snow White is depressingly unfunny and a little desperate (at least to this reader). and a long part near the end, depicting various torture chambers and examples of The Crooked Man's terrible villainy seems to be merely an excuse for Connolly to indulge himself with a gloatingly vicious array of sadistic tableau. both sequences were eye-rolling and sigh-inducing. Part fairy tale and part psychological study, I found this to be an engrossing and powerful book. Recommend to everybody, particularly those who have used reading and books to get themselves through difficult times, especially in childhood. David shook his head. ‘No,’ he said, ‘but I get scared when I don’t do them. I’m afraid of what might happen.’ Take all your favourite fairy tales from your childhood(from odd mixture of Wizard of Oz to Labyrinth to The Never Ending Story to the most sadistic part of Grimm's Fairy Tales), now throw in some well known poems and mix together with a story of a child coming to terms with the death of a parent. And you've pretty much got this. But did it work?

stars for scaring the child in me…for making me wonder, cringe and also laugh as an adult reader…for the adventure of it, and the heartfelt story inside all of this. Pretty much loved reading this story, and the lesson for us humans that it represented. John Connolly’s The Book of Lost Things is a tale that reflects everyone’s story of growing up. Some would say that it’s a story of losing one’s innocence, but are we ever really innocent? Through time we have come to develop feelings of grief, rage, hatred, and jealousy. These are some of the things that eat the pure off of us. At some point, we have all become the things we feared the most. We have turned into our very own monsters, destroying the good that is ahead of us. This is the story of how David overcame his monsters. John Connolly is best known as a respected writer of an excellent detective series. his strengths have been widely reported: gorgeously dark and lush descriptive skills, a sensitive portrayal of private eye Charlie Parker - an unusually tormented protagonist (tragic even for a genre noted for its sad, sad heroes), and a unsettling ability to mix the prosaic with the supernatural to startling effect. in this book, Connolly takes each of those gifts and streamlines them in a way that is appropriate for the reader of young adult or even children's literature - although this novel is very clearly an Adult Fairy Tale. the result is pleasingly distinctive. there are many scenes that are striking in their psychosocial nuance, their foreboding atmosphere, their ability to evoke that wonderfully shivery feeling of fearful anticipation. my favorite passage happens early on: David's daunting entry into the strange fantasy world... an eerie vignette that is a model of careful, suspenseful writing, featuring unearthly quiet, child-like flowers, a a taciturn Woodsman, the smoking remains of the german bomber, bleeding trees, a house in the woods with a Giger-like exterior, and a gathering of evil wolfish beings.This books is rather dichotomous. There were some really wonderful bits, and there were parts that were just poorly executed. But my biggest grouch was with the predictable and stiff writing. The crooked man what a clever idea ! i guess this story is about him in a way, he is the weaver of the events and the world of the story, he's the mastermind .

It starts off promising but without any hint where it is going. It could have been a historical novel for all I know. Maybe magical realism. Don't let yourself be fooled, this is prime time fantasy. Atmosphere is well done, if dark and grim. Characterization is interesting. David is very real, as layered as one can possibly be at that age, struggling with pride, isolation, independence, and a great deal of loss. Most of the rest of the characters exist as they do in fairy tales, that is to say, as archetypes. There is an off-note encounter with the Seven Dwarves, who have become communists; an anomaly in that they are supposed to be humorous. It's also worth nothing that the Gallant Knight is in love with a man, and while a man of honor, is also a doomed, tragic figure. There is much evil in this story, the crooked man perhaps the most evil of all. What is most evil about the crooked man? What does he represent in the real world? Is the crooked man the most evil character in the book? Why or why not? The beginning of the story takes its time to develop, but this leisurely pace didn’t bother because Connolly does an amazing job with it. He keeps us engaged as he introduces us to the characters and slowly allows the fantasy elements to creep and and crawl and bleed into the narrative. This makes the transition from our world into the fantasy world feel authentic and seamless. In addition, the early events of the story turn out to be critical to the central plot and final resolution of the story and so form important threads in the overall tapestry. He laid a hand gently on David’s shoulder, and David saw understanding in his face. ‘Rules and routines are good, but they must give you satisfaction. Can you truly say you gain that from touching and counting?’A wonderful, traditional format; journey to Oz and to home, but Connolly lets it unwind more than a bit toward the end, as he indulges in descriptions of The Crooked Man's evil deeds, in a way that really doesn't matter to the story, and just serves to point out the horrors of the world. Incest, torture, murder, draining away life; in some ways, I too felt my life drained away by this tale, by the cataloguing of misuse of power, the isolationism of a village, the careless mutilation and torture. Instead of uplifted, I felt ground away, like I had been watching a war montage. Connolly is not celebrating childhood or impending adulthood as much as outlining it as a horrible, dastardly trap where the right choices will mean honor and loss, and the wrong choices mean torture and loss. For in every adult there dwells the child that was, and in every child there lies the adult that will be.” In all, "Lost Things" is a plodding, thinly veiled paean to a baby-boomer-era view of "manhood" as stoic resolution and resistance to all hurts, including mental and emotional. Perhaps this story plays better, and I don't wish to be insulting, with a female audience, one that's never had to grapple with questions of "manliness" or had to decide on an appropriate level of attachment to an older male. As for me, I was insulted that David begins the story emotionally wounded by what he views as a betrayal by his father and, instead of finding closure, he learns to just get over it and "be a man" about it.