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Cohen, Mark (24 April 2000). "Lara Photo Shoot: At Play". Lara Croft: The Art of Virtual Seduction. Prima Publishing. pp. 82–89. ISBN 978-0-7615-2696-4. a b c d e f g h Staff (2008). "The Evolution of an Icon". Play Magazine Presents Girls of Gaming. Fusion Publishing. 5 (5).

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Radcliffe, Doug. "Tomb Raider: Angel of Darkness Game Guide". GameSpot. Archived from the original on 28 February 2010 . Retrieved 2 June 2010. Similar to Underworld, the new Tomb Raider features motion capture-based animation. In an effort to present realism and emotion in the character, Crystal Dynamics captured face and voice performances to accompany the body performances. The company revamped Croft's in-game combat abilities. Crystal Dynamics aimed to make the "combat fresh to the franchise, competitive amongst [similar games], and relevant to the story". Among the changes is the implementation of a free aiming system. The studio reasoned that such a system would cause players to be more invested in the action by fostering a "raw, brutal, and desperate" style. Global brand director Karl Stewart stated that such desperation relates to the updated character's inexperience with violence. He further commented that Lara Croft is thrust into a situation where she is forced to kill, which will be a traumatic and defining moment for her. [62]

New customer?

a b c Cohen, Mark (24 April 2000). "The Spirits That Called Her". Lara Croft: The Art of Virtual Seduction. Prima Publishing. pp. 95–98. ISBN 978-0-7615-2696-4. Ryan, Joal (13 October 2016). "30 best female video game characters, ranked". CNET . Retrieved 13 July 2021. McDaniel, Matt (4 November 2009). "Angelina Jolie: An Action Star Worth Her 'Salt' ". Yahoo! Movies. Archived from the original on 11 November 2009 . Retrieved 25 February 2010. Michael Owen and Kenny Sims (5 March 2013). "Introduction". Tomb Raider 2013 BradyGames Strategy Guide. Indianapolis, Indiana: BradyGAMES. pp.28–29. ISBN 978-0-7440-1453-2.