As had been the case with What Time Is Love?, 3 A.M. Eternal was originally a Pure Trance 12″ single released in 1989, before being reworked as the second instalment of their Stadium House Trilogy in 1991. It is an edit of this version that was included on The White Room. Mr Whitworth said he had to mention it, adding: “I just told Jimmy what I had found and that I thought it could be a real Banksy - he just smiled and said ‘that’s very, very interesting’”. The crowd noise (itself a sample taken from U2’s Rattle & Hum to convey the false impression of being a live album) dissipates to welcome a soaring vocal from Maxine Harvey which itself gives way to pounding beats, squelching synths and a saxophone solo from Duy Khiem – all hallmarks of the classic acid house sound. This is what The KLF is about. Also known as The Justified Ancients of Mu Mu, furthermore known as The Jams...' It also has the single mix of 'Last Train To Trancentral' instead of the mellower UK album version, edits 'No More Tears' down from 9:24 to 6:42, and adds a little more wind noise at the end of the closing 'Justified And Ancient'.

a b Fox, Marisa (9 August 1991). "The White Room". Entertainment Weekly . Retrieved 23 August 2009. The White Room is the fourth and final studio album by British electronic music group The KLF, released on 3 March 1991. The album features versions of the band's hit singles, including " What Time Is Love?", " 3 a.m. Eternal", and " Last Train to Trancentral".

Release

a b Christgau, Robert (30 July 1991). "Consumer Guide". The Village Voice . Retrieved 16 November 2015. Offiziellecharts.de – The KLF – The White Room" (in German). GfK Entertainment Charts. Retrieved 28 July 2016.

Recorded with the proceeds from their Doctorin’ The TARDIS single, the original 1988 version of What Time Is Love? marked a shift for Bill and Jimmy away from hip-hop towards dance music. The first of their Pure Trance 12″ singles, the song’s title is a reference to clubbers asking what time their Ecstasy will take effect. This could be more evidence that Banksy WAS in Liverpool last week​ Another artwork find is adding to the rumours that the world famous street artist was in the city​ Liam Thorp After putting the work safely in their car, the couple then went for tea at Leaf in Bold Street, where coincidentally they were sat next to KLF member Jimmy Cauty. It would be just the type of thing for the KLF to do to leave something like that lying around - and I know that Jimmy Cauty has worked with Banksy before” (the two worked together on Banksy’s Dismaland attraction in attraction at Weston-super-Mare.)a b "The White Room - Information Sheet Eight". KLF Communications. August 1990. Archived (via the Library of Mu) on 5 October 2007. Wikipedia:WikiProject The KLF/LibraryOfMu/508 ARIA Charts – Accreditations – 1991 Albums" (PDF). Australian Recording Industry Association . Retrieved 27 November 2021.

Harrison, Allan. "The White Room". Splendid (review). Archived from the original on 12 November 2006. Last Train To Trancentral starts right after the string section and features a completely new additional verse from Ricardo Lyte after the breakdown. Cauty, Cressida (August 1989). "KLF Info Sheet 6". KLF Communications. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/506 Subsidised with the proceeds of an 80s novelty hit, the eccentricities, the vision and ambition of KLF, combined with their taste for acid house and anarchy, resulted in The White Room, one of the finest dance-pop albums of the 90s… The KLF The White Room coverThe first of their Stadium House Trilogy, it is an edit of this Live At Trancentral mix that appears on the album. The single was their first hit under the KLF moniker and reached No.5 in the UK in July 1990. It was during one of these hunts that Mr Whitworth, from Wakefield in Yorkshire, and his wife believe they may have grabbed hold of an original Banksy in the Baltic Triangle.

Hochman, Steve (11 August 1991). "The KLF 'The White Room' Arista". Los Angeles Times . Retrieved 16 November 2015.It was important for me that The KLF was successful worldwide because I hated bands somehow who thought they were big and, really they were only in big in this fake world of NME and Melody Maker,” Bill Drummond told Richard King for his How Soon Is Now? book. He said: “Me and my wife were outside Constellations on Wednesday lunchtime and we were looking for things. There was a load of plywood leant against a wall and my wife pulled one out and we saw it had this artwork on it. The KLF: Enigmatic Dance Duo". Record Collector. 1 April 1991. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/226 Now a music fan has come forward with what he believes is more evidence that Banksy was in the city at some point last week.